Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Franz Xaver Winterhalter
Princess Elizabeth Esperovna Belosselsky-Belosenky, Princess Troubetskoi

ID: 00583

Franz Xaver Winterhalter Princess Elizabeth Esperovna Belosselsky-Belosenky, Princess Troubetskoi
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Franz Xaver Winterhalter Princess Elizabeth Esperovna Belosselsky-Belosenky, Princess Troubetskoi


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Franz Xaver Winterhalter

German 1805-1873 Franz Xaver Winterhalter Galleries German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.  Related Paintings of Franz Xaver Winterhalter :. | Ludwig, Graf Von Langenstein | Portrait de l'empereur Napoleon III | Young Italian Girl at the Well | The Empress Eugenie | Konigin Olga |
Related Artists:
Ferdinand Roybet
1840-1920 French painter. Although he studied engraving at the Ecole des Beaux-Arts in Lyon, he very early devoted himself exclusively to painting. In 1864 he settled in Paris, where his lyrical, zestful canvases, for example a Jester at the Court of Henry III , quickly met with success. They chiefly show characters in medieval or Renaissance costume in attitudes of studied ease. Critics noted his strong colours and firm brushwork, regretting only that his shadows seemed too sooty.
Lydia Emmett
1886-1952
Margaret Isabel Dicksee
1858-1903






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